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’I Do Want to Live!’: Female Voices, Male Discourse, and Hollywood Biopics
Female Spectatorship Male Discourse Male Filmmakers Women's Film Biographies
2014/11/11
Complicating cherished assumptions about film biography, the fifties, and female spectatorship, I Want to Live! finds male filmmakers identifying with a female protagonist in opposition to the male in...
"Before She Was a Virgin. . .": Doris Day and the Decline of Female Film Comedy in the 1950s and 1960s
Doris Day Female Performers Film Comedy Lover Come Back Pillow Talk
2014/11/11
Doris Day's complicated "dialogue" with her audiences varied over the decades, and endures, in a distorted way, in popular memory. This article studies the decline of her film stardom and her retireme...
'I wanted to be Rocky,but I also wanted to be his wife!':Heterosexuality and the (Re)construction of Gender in Female Film Audiences’ Consumption of Sylvester Stallone
Gender Heterosexuality Masculinity Femininity Film Audiences Female Audiences Hollywood
2009/11/27
This paper examines the degree to which the performance of gender is sustained and/or problematised through the triangular relationship between popular cinema, film audiences, and the social/cultural ...
Bae Yong-Joon,Hybrid Masculinity & the Counter-coeval Desire of Japanese Female Fans
Bae Yong-Joon Hallyu Japanese fan new Korean masculinity wen masculinity counter-coeval desire
2009/11/27
This essay examines the transcultural consumption of new Korean masculinity in Japan using the star construction of Bae Yong-Joon (BYJ/aka yon-sama) as its key example. Through sociological research o...
Negotiating Identity: Mary Ellen Best and The Status of Female Victorian Artists（图）
Negotiating Identity Mary Ellen Best Female Victorian Artists
2009/11/20
At about age fifty, Mary Ellen Best (1809–1891), a middle-class British woman, gathered images of her private life that she had painted over a 35-year period and placed them into albums organized chro...